Copied and pasted from the Official Website of the New York City Department of Parks & Recreation:[Astoria] [Betsy Head] [Crotona] [Hamilton Fish] [Highbridge] [Jackie Robinson] [Joseph H. Lyons] [Thomas Jefferson] [McCarren] [Red Hook] [Sunset Park]
https://www.nycgovparks.org/about/history/historical-signs
by Jinx Roosevelt, 4.24.2022.Converted to HTML by Frank da Cruz, 26 April 2022.
Last update: Thu Apr 28 14:43:27 2022The texts are part of the Parks’ Historical Signs Project and can be found on the new signage posted at each pool. Note: The photos were provided by the Parks Department and in most cases are not big enough for the text to be legible. CLICK HERE for more information about the pools.
Photo: Jinx Roosevelt |
The pools were not just huge but also examples of state-of-the-art engineering and fine design. Each pool had separate swimming, diving and wading areas, perimeter bleachers, and bathhouses whose locker rooms served as gyms during non-summer months. Led by architect Aymar Embury II and landscape architect Gilmore D. Clarke, the planning team produced a series of distinct complexes, each one sensitive to its site and topography. Massive filtration systems, heating units, and even underwater lighting provided a more controlled bathing experience than the often treacherous and polluted waterfront currents in which the City's masses had traditionally swum. The palette of building materials was mainly inexpensive brick, concrete and cast stone, but the styles ranged from Romanesque Revival to Art Deco.
Framed by the Triborough and Hell Gate bridges, Astoria Pool measures 330 by 165 feet and is the largest of the eleven WPA pools. It was designed by John M. Hatton to accommodate 5,570 bathers at a time, and when opened on July 2, 1936 it was described by WPA administrator Harry Hopkins as "the finest in the world." Metropolitan Opera Company soprano Julie Peters sang at the dedication of the pool, underscoring the pool's epic quality. It is distinguished by its streamlined and simple forms, decorative glass block, deco-style steel railings, and Art Moderne style ticket booth. In 1936 and 1964, Astoria Pool hosted the Olympic Trials for the U.S. Swim and Diving Teams. In 2006, Astoria Pool was designated an official New York City landmark and remains an invaluable community resource.
Photo: NYC Parks Department |
The pools were not just huge but also examples of state-of-the-art engineering and fine design. Each pool had separate swimming, diving and wading areas, perimeter bleachers, and bathhouses whose locker rooms served as gyms during non-summer months. Led by architect Aymar Embury II and landscape architect Gilmore D. Clarke, the planning team produced a series of distinct complexes, each one sensitive to its site and topography. Massive filtration systems, heating units, and even underwater lighting provided a more controlled bathing experience than the often treacherous and polluted waterways in which the City's masses had traditionally swum. The palette of pools building materials was mainly inexpensive brick, concrete and cast stone, but the styles ranged from Romanesque Revival to Art Deco.
Betsy Head Pool, measuring 330 by 165 feet, was designed to accommodate 1,200 bathers at a time. It opened on August 6, 1936. Designed by architect John Matthews Hatton, the pool's Art Moderne aesthetic is distinguished by its streamlined bathing pavilion punctuated with glass block walls and a stylized parasol roof deck. In 2008, the facility was designated an official New York City landmark.
Photo: NYC Parks Department |
The pools were not just huge but also examples of state-of-the-art engineering and fine design. Each pool had separate swimming, diving and wading areas, perimeter bleachers, and bathhouses whose locker rooms served as gyms during non-summer months. Led by architect Aymar Embury II and landscape architect Gilmore D. Clarke, the planning team produced a series of distinct complexes, each one sensitive to its site and topography. Massive filtration systems, heating units, and even underwater lighting provided a more controlled bathing experience than the often treacherous and polluted waterways in which the City's masses had traditionally swum. The palette of pools building materials was mainly inexpensive brick, concrete and cast stone, but the styles ranged from Romanesque Revival to Art Deco.
Crotona Pool measures 330 by 120 feet (nearly four times an Olympic-regulation facility) and was designed by architect Herbert Magoon to accommodate 4,265 bathers at a time. It opened July 24, 1936. The bathhouse features animal-themed sculptural elements (still visible today) created by Frederick George Richard Roth that exemplify WPA-funded art of the era. In 2007 the facility was designated an official New York City landmark.
Photo: Jinx Roosevelt |
The pools were not just huge but also examples of state-of-the-art engineering and fine design. Each pool had separate swimming, diving and wading areas, perimeter bleachers, and bathhouses whose locker rooms served as gyms during non-summer months. Led by architect Aymar Embury II and landscape architect Gilmore D. Clarke, the planning team produced a series of distinct complexes, each one sensitive to its site and topography. Massive filtration systems, heating units, and even underwater lighting provided a more controlled bathing experience than the often treacherous and polluted waterways in which the City's masses had traditionally swum. The palette of pools building materials was mainly inexpensive brick, concrete and cast stone, but the styles ranged from Romanesque Revival to Art Deco.
The outdoor facility at Hamilton Fish Pool, measuring 165 by 100 feet, was designed to accommodate 1,700 bathers at a time. Its spare styling contrasts and complements the more ornate adjacent bathhouse. When the pool opened on June 24, 1936 the New York Times commented that it "lessen[ed] the attractiveness of the disease-laden East River and also helps to keep children off the streets." Hamilton Fish Pool was so highly regarded that the U.S. Olympic Team used it for practice sessions for the 1952 Helsinki Games. The pool and play center were designated an official New York City Landmark in 1982
Photo: Jinx Roosevelt |
The pools were not just huge but also examples of state-of-the-art engineering and fine design. Each pool had separate swimming, diving and wading areas, perimeter bleachers, and bathhouses whose locker rooms served as gyms during non-summer months. Led by architect Aymar Embury II and landscape architect Gilmore D. Clarke, the planning team produced a series of distinct complexes, each one sensitive to its site and topography. Massive filtration systems, heating units, and even underwater lighting provided a more controlled bathing experience than the often treacherous and polluted waterways in which the City's masses had traditionally swum. The palette of pools building materials was mainly inexpensive brick, concrete and cast stone, but the styles ranged from Romanesque Revival to Art Deco.
Highbridge Pool, measuring 220 by 165 feet, was designed to accommodate 4,880 bathers at a time and its footprint largely conforms to that of the old receiving reservoir. It opened July 14, 1936 and for decades has served patrons of Washington Heights and University Heights across the Harlem River. In 2007, the facility was designated an official New York City landmark.
Photo: Jinx Roosevelt |
The pools were not just huge but also examples of state-of-the-art engineering and fine design. Each pool had separate swimming, diving and wading areas, perimeter bleachers, and bathhouses whose locker rooms served as gyms during non-summer months. Led by architect Aymar Embury II and landscape architect Gilmore D. Clarke, the planning team produced a series of distinct complexes, each one sensitive to its site and topography. Massive filtration systems, heating units, and even underwater lighting provided a more controlled bathing experience than the often treacherous and polluted waterways in which the City's masses had traditionally swum. The palette of pools building materials was mainly inexpensive brick, concrete and cast stone, but the styles ranged from Romanesque Revival to Art Deco.
Harlem's Jackie Robinson Pool measures 235 by 82 feet was designed by architects Aymar Embury II and Harry Ahrens to accommodate 4,090 bathers at a time. Nestled in a steep bluff, with an arcaded façade and entryway resembling a medieval castle, the facility was once known as "Colonial Park Pool," in reference to the area's role in key Revolutionary War battles. The facility opening on August 8, 1936 was cause for celebration and featured Bill "Bojangles" Robinson singing "Battle Hymm of the Republic" to a crowd of 25,000. The facility was named for baseball legend Jackie Robinson in 1978, and a bronze bust of Robinson by artist Inge Hardeson was installed in the lobby in 1981. The pool and play center (including the atrium interior) were designated an official New York City Landmark in 2007.
Photo: NYC Parks Department |
The pools were not just huge but also examples of state-of-the-art engineering and fine design. Each pool had separate swimming, diving and wading areas, perimeter bleachers, and bathhouses whose locker rooms served as gyms during non-summer months. Led by architect Aymar Embury II and landscape architect Gilmore D. Clarke, the planning team produced a series of distinct complexes, each one sensitive to its site and topography. Massive filtration systems, heating units, and even underwater lighting provided a more controlled bathing experience than the often treacherous and polluted waterways in which the City's masses had traditionally swum. The palette of pools building materials was mainly inexpensive brick, concrete and cast stone, but the styles ranged from Romanesque Revival to Art Deco.
Located south of the St. George Ferry Terminal and adjacent to the Cromwell Recreation Pier, the pool measures 165 by 100 feet and had a capacity of 2,800 bathers. Designed by Joseph L. Hautman, in an Art Moderne style, the pool is distinguished by its sun deck and campanile. Its opening on July 7, 1936 was attended by 7,500 people. The only WPA pool in the borough, Mayor La Guardia commented at the dedication, "The policy of this administration is to give Staten Island an even break with the other boroughs." He also described the opportunity to construct this elegant, modernist pool as "a monument to the progressive government which would not and could not see unemployed men on the breadline."
Lyons joined the New York City Club Unit of the American Ambulance Field Service in 1917. He was awarded the Croix de Guerre by the French Government for his service driving on the French and Belgian fronts. Upon his return from Europe in 1920, he organized the Staten Island Post No. 563, Veterans of Foreign Wars (VFW), of which he was the first commander. As a result of his activity in the VFW, he became county commander of the American Legion. Richmond Turnpike, Victory Boulevard, and the American Legion ferryboat were all named at the suggestion of Lyons.
Photo: Jinx Roosevelt |
The pools were not just huge but also examples of state-of-the-art engineering and fine design. Each pool had separate swimming, diving and wading areas, perimeter bleachers, and bathhouses whose locker rooms served as gyms during non-summer months. Led by architect Aymar Embury II and landscape architect Gilmore D. Clarke, the planning team produced a series of distinct complexes, each one sensitive to its site and topography. Massive filtration systems, heating units, and even underwater lighting provided a more controlled bathing experience than the often treacherous and polluted waterways in which the City's masses had traditionally swum. The palette of pools building materials was mainly inexpensive brick, concrete and cast stone, but the styles ranged from Romanesque Revival to Art Deco.
East Harlem's Thomas Jefferson Pool, measuring 246 feet by 100 feet, was designed by architect Stanley C. Brogren to accommodate 1,450 bathers at a time, providing protected bathing as an alternative to the adjacent East River. Its opening dedication on June 27, 1936 was cause for community celebration. Reportedly 10,000 people attended the ceremony commending what was described as "the last word in engineering, hygiene and construction." In 1992, the former diving pool was converted to a wading pool. In 2007, the pool and play center were designated an official New York City landmark.
Photo: Jinx Roosevelt |
The pools were not just huge but also examples of state-of-the-art engineering and fine design. Each pool had separate swimming, diving and wading areas, perimeter bleachers, and bathhouses whose locker rooms served as gyms during non-summer months. Led by architect Aymar Embury II and landscape architect Gilmore D. Clarke, the planning team produced a series of distinct complexes, each one sensitive to its site and topography. Massive filtration systems, heating units, and even underwater lighting provided a more controlled bathing experience than the often treacherous and polluted waterways in which the City's masses had traditionally swum. The palette of pools building materials was mainly inexpensive brick, concrete and cast stone, but the styles ranged from Romanesque Revival to Art Deco.
Opened on July 31, 1936, McCarren Pool originally measured 330 by 165 feet and was designed to accommodate 6,800 bathers at a time. In the off-season the pool bottom was adapted for basketball and shuffleboard courts. Its bathhouse was the largest in the system, with an open vaulted entryway reminiscent of the Roman baths of Caracalla and the Karl Marx Hof housing complex in Vienna. Other notable features include an Art Moderne-styled entry kiosk and flagstaffs supported by bronze eagles.
The pool is the only WPA facility to close due to dereliction, from 1984 to 2012. In 2005-07, a series of experimental dance performances and concerts were held in the empty pool renewed interest in the facility. After it was designated an official New York City Landmark in 2007, it underwent an extensive renovation. The pool reopened in 2012, with a smaller footprint for swimming but gained year-round features like a fitness center, community meeting room, and basketball court. In 2016, Mary Temple's Double Sun mural, a Percent for Art project, was painted on the entryway and invokes the cast shadows of local trees.
Photo: Jinx Roosevelt |
The pools were not just huge but also examples of state-of-the-art engineering and fine design. Each pool had separate swimming, diving and wading areas, perimeter bleachers, and bathhouses whose locker rooms served as gyms during non-summer months. Led by architect Aymar Embury II and landscape architect Gilmore D. Clarke, the planning team produced a series of distinct complexes, each one sensitive to its site and topography. Massive filtration systems, heating units, and even underwater lighting provided a more controlled bathing experience than the often treacherous and polluted waterways in which the City's masses had traditionally swum. The palette of pools building materials was mainly inexpensive brick, concrete and cast stone, but the styles ranged from Romanesque Revival to Art Deco.
Red Hook Pool measures 330 by 130 feet and was designed by Joseph L. Hautman to accommodate 4,460 bathers at a time. The opening dedication on August 17, 1936 was described by the New York Times as "Red Hook's event of the year," reportedly attended by a vast crowd of 40,000 people. With the demolition in the 1990s of a nearby stadium from the same era, three cast stone sporting reliefs from that facility were salvaged and inserted into the pool-facing interior wall. The pool, along with the Red Hook Play Center, was designated an official New York City landmark in 2008.
Photo: NYC Parks Department |
The pools were not just huge but also examples of state-of-the-art engineering and fine design. Each pool had separate swimming, diving and wading areas, perimeter bleachers, and bathhouses whose locker rooms served as gyms during non-summer months.Led by architect Aymar Embury II and landscape architect Gilmore D. Clarke, the planning team produced a series of distinct complexes, each one sensitive to its site and topography. Massive filtration systems, heating units, and even underwater lighting provided a more controlled bathing experience than the often treacherous and polluted waterways in which the City's masses had traditionally swum. The palette of pools building materials was mainly inexpensive brick, concrete and cast stone, but the styles ranged from Romanesque Revival to Art Deco.
Sunset Park Pool measures 256 feet by 165 feet and was designed by architect Herbert Magoon to accommodate 4,850 bathers at a time. The facility is notable for its gracefully curved façade. At the opening on July 20, 1936, Mayor Fiorello LaGuardia dramatically flipped a switch, activating the pool's underwater lighting system. City Controller Frank J. Taylor himself, a Sunset Park resident, remarked that if the heatwave that plagued the city returned, he would have to don swim trunks and try the pool himself. The pool, along with the Sunset Play Center, was designated a NYC landmark in 2007 and continues to provide the community with critical relief during the summer months.